August 18th, 1936.... (death of a gypsy boy) Monumentum pro Thomas Alva Edison Erectum A.D.MIIM op.34/1 Adagio inMemory of Nino lo Bello, op. 32 Studies for Strings 0p.27 Gemini, op. 24 8 Bagatelles on the Name György Ligeti La Fontaine du Sang, op. 22b Minotaurus study for solo violin Rinne-tensho Metamorphosis of a labyrinth op. 22a Jam Session for Fritz, op. 14#6 Fantasy for 4 Violas, op. 5 Halbthurn Cappriccioso for Robert, op. 14 # 2 Funeral Music for Olof Palme for Solo Violin and Accompanying Chamber Ensemble, op. 13a Movimientos para Don José Haydn, Op. 8 Structures for different groups of an ensemble consisting of 15 instrumentalists April (A piece for Violin and Piano) Vanished Dreams, 6 Sketches for Stringquartet, op. 22c |
La Fontaine de sang op.22bThe work was written concurrently with "Metropolitan Midnight Music" op.22d and the 6 sketches for string quartet "Vanished Dreams" op.22c in 1992/93 immediately after the death of the composer's father. Compensating for grief over the loss of his father René Staar was seized by an almost frenzied need to compose. "La fontaine de sang" (the title is also that of a sonnet in "Les Fleurs du Mal" ("Flowers of Evil") by Charles Baudelaire), however, differs from the other two pieces in that it is inspired by the feelings Baudelaire allegorizes as seething of the blood, something the composer experienced vividly. La Fontaine de sang THE FOUNTAIN OF BLOOD This image of a fountain of blood out of which the life-blood courses became the starting point for a composition built essentially as a concert piece in a sort of sonata form integrating a solo cadenza but without a grand orchestral introduction.The work makes an highly expressive statement and continues the series of important works in the development of his chord realignment theory which began in 1987 with "ich bin es, ohne daß es mir gleicht". |